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Printworks 

– Looking For Inspiration

Wednesday 9th April 2025
6.30 pm – 7.30 pm

Zoom online event

Image: 'Not Falling' Cyanotype by Nikki Davidson-Bowman

Printworks – Looking For Inspiration

Wednesday 9th April 2025
6.30 pm – 7.30 pm
Zoom online event

At the end of March, Blue Monkey will be launching their 2025 open call for their next members-only exhibition.  
 

Printworks will be held at the Emma Mason Gallery in Eastbourne and will include a Private View, our August event and a talk by Emma Mason. This will be followed by an online exhibition.
 

There is no theme but all submissions must incorporate some form of printmaking process.
 

To support artists who may need some inspiration or to discuss ideas further we are offering a short talk about some of the options that you might want to think about experimenting with and incorporating into your practice.  There will be an opportunity for questions.  
 

You will need to RSVP to this event, to book a place, please email bluemonkeynetevents@gmail.com

If you are planning on attending one of our events and have any access needs, please let us know in advance. 
 

Blue Monkey Network is run by artists for artists, in partnership with Towner Eastbourne, and is entirely funded by membership subscriptions and donations. Many thanks to all our supporters. 
 

COMING UP

Diving Queen II-1_edited.jpg
Diving Queens:  Portraits of Resilience
An out-of-hours viewing and talk by June Nelson, exploring her show at Phoenix Artspace.
Thursday 24th April 2025  
6.30 pm–8.00 pm
Phoenix Artspace
Waterloo Place, Brighton


June Nelson's show runs 5–27 April 2025
Exhibition Preview, Friday 4 April 6.00 pm– 8.00 pm
In this series of paintings from the past two years, June Nelson explores the tension between identity, history, and transformation through portrayals of surreal, enigmatic figures adorned with deep-sea diving helmets, ruffs, and boxing gloves. Drawing inspiration from Elizabethan and Flemish portraiture, the paintings blend tradition with the absurd, where symbols of protection and restriction —such as the rigid ruff and the isolating helmet— contrast with gestures of defiance and self-exploration.

Expect to see women in ambiguous spaces, caught between concealment and revelation. One kneels in frustration; another clutches a helmet like a burden or relic, while others meet the viewer’s gaze with a regal, alien intensity. The paintings aim to create a surface that is both inviting and unsettling, describing a space where humour, vulnerability, and strength collide.
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